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Every
original photographic monoprint and
black-and-white pigment print
is printed on acid free Arches® 140# watercolor paper, using
state-of-the-art archival inks. Once printed, each photographic
monoprint is altered using other media, such as soft pastels, oil pastels,
pencils and/or acrylics, then signed and dated
by the artist. Since each monoprint is original and unique, no reproductions are available.
Each black-and-white pigment print is
also printed on acid free Arches® 140# watercolor paper,
using archival pigment inks, then signed and dated.
A sealed Certificate of Authenticity accompanies each original
photographic monoprint or black-and-white pigment print.
Framed works are single matted with
an acid-free white mat and
custom framed with
a
Nielsen® metal frame:
antique gold with original photographic monoprints and black with
black-and-white pigment prints. Click
here to see an antique gold frame sample. Unframed
works are single matted with an acid-free white mat. All works are backed with Fome-Cor®.
DISPLAY
As
with any work of fine art, exposure to intense light (especially
direct sunlight), airborne toxins (including tobacco smoke), and
high heat and humidity will greatly shorten the life span of your purchase.
Long-term
stability of any artwork will vary depending upon display
conditions, light intensity, and atmospheric
conditions. Please carefully decide where to hang your
treasured selection.
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